Top Posts Tagged with #its not the numbers but the fact that no jojo fans ever see my jojo drawings

jelloire

Oct 2, 2019

The new semester started and I got a lot of new side projects (and am also gonna participate at a design exhibition!~) so I won't be posting as much. I'll try to post at least once a week but no promises

Also guys I hate doing this, I know you're here for Kirb and other games' art but could you please consider rebloging my Jojo art. 5 reblogs I got on my last one is a really small number. No jojo fans will ever see it if there's no reblogs. So please, even if you don't care about jojo, reblog and help me reach those who would like the art if they got to see it <3

#i love jojo so much but these numbers make me really unmotivated to draw it#its not the numbers but the fact that no jojo fans ever see my jojo drawings#and then i think who am i drawing this for

frogmanfae

Sep 27, 2023

Newsies as Things I Heard This Week Number 4

It's a long one

Medda: That was vewy scawy

Race: she did not just say vewy scawy in front of a class at 7 am on a Monday-

Blink: *shows duck earrings*

Elmer: *gasp* I love him his name is jaramiah

Blink: No

Elmer: Yes

Blink: All my ducks are nonbinary

Elmer: ...Their name is jaramiah then idfc

Davey: Can the sun just... Go away for a minute?

Race: Forever. It can just blow up and be gone

Davey: ...No then we'd all be dead

Katherine: Omg I love your outfit!

Sarah: Oh thank y-

Katherine: It's giving like... Rosie the Rivitor we can do it but like... Gay

Sarah: ...

Sarah: Thank you...? I actually love that hold on-

Hotshot: Why do you have 2 sandwiches??

Spot: One of them is for Race

Hotshot: Oh

Albert: Awww they're having a lunch date

Spot: *glares*

Albert: ...No response?

Spot: *GLARES*

Albert: Why are you looking at me like that?

Elmer: *shrugs*

Albert: ...Is it because I just swore really loudly and angrily from the other room?

Elmer: Yeah what was that about?

Albert: The spoons fell when I opened the silverware drawer

Elmer: That seems like an appropriate response

Albert: Shut up

Morris Delancey: Do you ever like see an Elephant sh*t and like... You like it? Like like like I don't know! But like! I liked it! I don't know! It's just like- *very clearly desperately trying to be relatable and floundering*

(I DON'T KNOW THE CONTEXT TO THIS IT WAS SOME GUY WALKING BEHIND ME IN THE HALLWAY)

Denton: *walking past a group of students eating lunch* Hey I just had triscuts today!

Davey, the guy who brought an entire box of triscuts: They're good right?

Denton: They've been around for 50 years! *leaves*

Race: ...Guys what's a triscut? ... What's a triscut???

Davey, about Romeo: He drank a whole can of tomato soup in the middle of band! Like uncooked unheated, not diluted, straight up- like who does that?? What is he- ashuguwah

Jack: She said we don't have total freedom in America because if we did you could just say you're hungry go to your neighbors house take their baby and eat it

Davey: ...Yeah I don't know what's happening right now but we have work to get started

Race: Om nom

Jack: What??

Davey: *pokes boob with bass drum mallet*

Sarah: *mid sentence* :0

Buttons: Look at me! The football fan! I loove NFL footba-

Crutchie: Shut the f*ck up

Buttons: :0

Crutchie: You are a lying piece of they/them sh*t

Davey: *writing something on notebook paper*

Race: I asked you if you had note book paper and you said no!

Davey: No I didn't?

Race: Yes you did!

Davey: You came with me to my locker to get this??

Race, gay: *shows Jack a picture of a guy*

Jack, bisexual: Smash

Katherine, bisexual: Eh, pass

Jack: Of course you say that it's a guy

Katherine: I am attracted to men

Race: Uh huh

Jack: Hey do you ever think about color theory?

Race: Oh yeah all the time

Katherine: Uh wait back track what do you mean uh huh???

Romeo, watching a video of an artist slowly revealing his work: I'd tap. Not him, the drawing. Oh wait its of a woman nevermind

Race: *steals Davey's phone out of his lap* I just took your co*ck

Davey: *not paying attention, writing notes* oh I'm just making a...

Race: Did you hear me?

Davey, now realizing Race did not, in fact, ask him what he was doing: ...

Davey: *sigh*

Jojo: Look at this *shows Romeo a video*

Romeo: Ooh

Romeo: I'd f*ck a... Biblically accurate angel...

Jojo: ...

Jojo: That's a weird kink

Elmer: I like shiny things

Buttons: Of course you do, fa*ggot

Elmer: :0

Elmer: Periodt

Davey: *random noise random noise* I have autism *random noise random noise*

Race, watching asmr: Ooh I think I'm gonna like this... Oh yeah. Yeah I like that. Hot knife and gummy worm, that's a new kink

Davey: Pff-

Race: I wonder if if that says anything about me

Race: I'm gonna send you into epidemiological shock

Davey: Is that a thing?

Race: *looks at notes he's currently writing on epidemiology*

Romeo: Why are you fondling nuts like that

Albert: *drops Race's phone* oh sh*t-

Race: You!... Hooker!

Sarah: I wanna take my hoodie off but I'll look like a whor*

Davey: I cried over harry potter’s dead parents yesterday

Race: the line has been drawn

Davey: Get off your phone!!

Race: Noo!

Davey: You have a concussion!

Race: I don't care!!

Davey: Brain damage is no joke!

Race: Ho life or no life

Sarah: Hey I also have a flannel on!

Davey: Woah

Sarah: You'll just never see it cuz I have a hoodie-

Davey: You're gay too!

Sarah, who has a whole ass girlfriend: Ew! Gross! Don't call me that slur!!

Albert: I don't understand why I can't just drink water it's like- gsgatsv!

Denton: ...Okay I'm gonna start class now

Elmer, talking about things he'll remember after high school: With the black mold trombone!!

Race: Black mold trombone will go down in history

Race: Okay but first, water bottle flip

Race: You know what makes me happy? Pheromones

Jack: Why are you so obsessed with pheromones??

Race: Because I- actually I'm not gonna say that

Specs: Did you know that nothing would happen if you threw a glass of water on the sun? *yelling* THIS IS BECAUSE THE WATER WOULD NOT REACH THE SUN

Crutchie: I miss covid

Denton: I just wanna watch the football and go home

Race: watch the football

Davey: watch the football

TW SH JOKE Jack: I hope all cutters go to hell. Not like arm cutters like line cutters. I'm going to hell anyway because I'm gay

Albert, singing a choir warm up at band: Mango mango mango mango mango mango mango mango banana banana banana whoo

Crutchie: I'm not in choir but I recognize that and I just realized you're autistic

Denton: That was weak. That was weak sauce. But I think it worked *enthusiastic thumbs up*

Elmer: I know my flowers

Spot: He does, he went to flower camp

Elmer: I did, it was f*ckin SICK

Denton: Good news, you both exist!

Jojo: It's good to exist!

Crutchie: ...Okay

Spot: I'm gonna eat you and kill you

Davey, out of nowhere: *soft gasp* heliocase...

Race: Can you imagine if cells bullied each other? Like like "pff- you got a goofy lookin nucleas, idiot"

Spot: I'm gonna eat you, chew you up, and show your pieces to the world

Albert: Imagine just getting home from a long day of work and you just get c o n s u m e d

Elmer: It's super pretty cool

Jojo: Super pretty cool?

Elmer: Super pretty cool

Jojo: Oh nice

Race: I can't get embarrassed

Albert: You-

Night 1: Spont uses the statue to recruit Wikxen, at the same time that Wikxen forces Snake to vote for Levi. So, now the usually-scum power in the hands of town is in the hands of scum for real. Bel scans room 3, and learns that its occupant is innocent. Raya recruits DarkFalco, and accidentally recruits Surge alongside her, to her surprise. JGH tries protecting Levi, to test if his claim was a bluff.

Day 2: Levi tries to push JGH on the basis of having targeted him last night, but everyone agrees to wait and see if Levi actually dies first. Votes circle around Wikxen and Raya for suspicious-seeming defensiveness on Day 1, and ultimately, when it seems like Wikxen's about to be executed, a small group of players flip their votes at the last minute and vote Raya out while she's asleep and can't defend herself. Rude! She was poised to win the game for herself and the town, since she'd convinced Falco that the mafia would benefit somehow if they were all recruited.

Night 2: The mafia kills Minby- and Minby opts to tell have Fed watch him, wasting his power. Lucky for town, though, Bel happens to scan room 8, confirming Fed is mafia since he volunteered his room number. Wikxen's coat contains a furnace where there used to be a guy.

Day 3: Wikxen forced Snake to vote for J, making him look bad- but Sah begins sharing his bizarre results from Thinking Machine, and Bel confirms that they're a log of her detective power. Then she points out that Fed is mafia, and the town falls in line behind the accusation with Sah to confirm.

Night 3: Spont uses the statue to recruit Bel, to keep any more problematic scans from ruining them. Bel, before being recruited, scans room 10, though- and now the town knows there's something funky with Falco and Surge, because Sah gets the results and knows what they mean. Due to their mismatched alignments, though, the encoded version is still misleading, so there's wiggle room. TD scans Spont and learns his role name.

Day 4: Spont concocts a daring scheme. He has Bel lie and claim to have received an incriminating result on him- so that Bel will be caught in said lie when Sah produces his own results. The plan is to frame Bel, who's a dead girl walking anyway, and clear Spont's name going forward. But the town talks themselves into explaining away the contradiction- even when TD reveals Spont's stand name, and Spont denies it outright and claims 「Combustible Head」, a fake vigilante (town nightkiller) role instead, the town explains away that, too. After a few more people claim, TD260 has completed his mission- his correct guess wins him the game and he leaves. Spont cleverly excuses himself by claiming that TD lied about his role to get him to claim his "real" one. Afterwards, the town ends up executing Deli064 instead, for some reason- poor Doctor Worm!

Night 4: The evidence vanishes from Bel's charred and smoking chair- because JGH tries to protect her at the same time the mafia are killing him! Bel is a ghost now, and the town never finds out her alignment.

Day 5: Bel not dying poses a problem for the mafia, because Spont was supposed to prove his own innocence by pretending to kill her! The mafia tries to misdirect by having Bel lie again, claiming to scan room 10 when she actually scanned room 6, Sah. Ultimately, though, the town is able to coordinate behind killing Surge and Falco, which- because they're linked- is a compromise option that both parties are happy with (when perhaps they shouldn't be).

Night 5: Since Bel is technically dead, Spont recruits again, grabbing Sah and removing the threat of scans entirely. If he'd recruited Snake instead, they'd have won on the spot, since only his will-vote prevented them from winning instantly due to outnumbering the town. We move on to a somewhat redundant...

Day 6: It's now down to five players- Spont, Sah, and Bel vs Levi and Snake. The mafia technically outnumber the town, but Bel's vote doesn't count, and Sah's going to burn the next night- so the town can still win by forcing a tie and then using Snake's By The Time You Get This power to place a vote on Spont. But that's if they can figure it out and get on the same page, and... they don't. There's no way there could be three mafia still alive, so the mafia are able to sow total confusion and ultimately get the town all voting for Bel... who's a ghost, and can't vote or be executed, which the town doesn't know because JGH died before he could fully explain. The execution defaults to Snake, and the mafia win the game.

#mafia#they might be giants#tmbgareok#jojo#jjba#benedict art

blitzturtles

Jun 29, 2021

Title: It Starts Like This, Ch. 1/?

Rating: Teen and Up

Fandom: JoJo's Bizarre Adventure: Golden Wind

Pairing(s): BruAbba, Platonic Bucci Gang

Summary: Then sh*t hits the fan.

Or, more accurately, Bucciarati hits the floor.

Giorno bolts forward, but there’s an entire, solid oak desk blocking his path. Gold Experience doesn’t even reach Bucciarati in time. His head hits the ground with a sickening crack, and he’s disturbingly limp.

Notes: Turns out being dead has a bit of a long term effect. Who would have thought?

This fic got away from me, so I'm breaking it down by character interaction (sort of). This is Giorno's part of this very Bucci-centric fic.

Disclaimer: I don't have a diagnosis of epilepsy, but I do have auras/various symptoms and am being tested. Also, I used 'grand mal' here, but it's an outdated term I only picked for the timing of the fic. They're now known as tonic-clonic seizures.

Unrelated: My dog typed the number ‘4’ on the google doc I was writing this on. Obviously it’s cursed. Sorry Bucci.

Giorno is midsentence when he notices Bucciarati’s attention beginning to wander. He watches a moment, letting his own words trail off into silence, as Bruno seems to fixate on something in his own head.

It's not entirely out of character, really. Bucciarati’s often juggling too many thoughts at once, and there are times that his mind will latch on to one in particular and get carried away. He doesn't mean it to be insulting, and Giorno doesn't take it that way.

Only a handful of seconds more pass before Bucciarati’s attention is turned back toward him. He blinks his eyes, clearing his mind, before speaking,

"Apologies, what was it you were saying?"

Giorno gives a slight smile and picks up as though nothing had happened at all.

The next time it happens, something feels off. Giorno doesn't know what. Bucciarati’s eyes drift off, almost upward. Then, rather abruptly, Sticky Fingers is there, reaching out to their user. Their movements freeze abruptly. The stillness is disturbing. Unnatural. Something tells Giorno that Bucciarati isn't lost in his thoughts.

He opens his mouth to try and say something, to right the wrongness of the air around them, but the door to his office creaks open.

Abbacchio looks between the two, from Bucciarati to Giorno. His eyes linger on Sticky Fingers a moment. The stand doesn’t so much as glance at their new companion. They don't move at all.

All Giorno can think is /wrong, wrong, wrong/. He feels sick. Without his realizing, Gold Experience has manifested behind him, fingers reaching forward.

All at once he can see the moment when Bucciarati begins to /exist/ again. His eyes still don't focus on Giorno. In fact, he looks right past him, but so does Abbacchio.

It's then that Giorno sees something settle in Abbacchio's eyes. Recognition of the problem. Or what he thinks is the problem. He nods to Gold Experience, and Giorno looks behind himself to see his stand.

Realization kicks in. Abbacchio thinks Bucciarati’s stillness-- the presence of his stand-- were justified things. Normal reactions to their boss’ stand being present.

Both are thinking: there’s a threat, and Giorno can’t help thinking that they aren’t wrong.

The conversation steers out of his control too quickly for him to keep up with. They’re both concerned about him and why his stand is out and not with what is truly wrong.

The next time it happens, Narancia is there. Bucciarati’s own words trail off. His fingers twitch in the air, a meaningless gesture that screams wrong, bad, wrong in Giorno’s mind.

He remembers, once, hearing Bucciarati explain that things can be unzipped and rezipped in a way that isn’t quite right. That sometimes, Bucciarati is in a rush or under too much pressure to be as precise as he would like.

He also remembers hearing of stands being incompatible with their users, but Bucciarati and Sticky Fingers work seamlessly. They move as one. Why now?

It makes him sick to think about, and he can see that same queasiness on Narancia’s features.

There’s something wrong, and Giorno doesn’t know if he can fix this with Gold Experience. He doesn’t know if he won’t just make it worse. Maybe Bucciarati needs time. Maybe his body will sort this out on its own.

Or maybe it won’t, some dark part of him whispers.

“You see it too?” Narancia asks in a whisper.

Giorno nods. Before he can speak, Narancia continues, “It’s happening more often.”

Those words feel like a knife slipped between his ribs. Before he can ask Narancia more, Bucciarati is rubbing at his eyes and making a confused sound in the back of his throat. All of Giorno’s attention is on him then, but he doesn’t know what to do.

Bucciarati more or less dismisses himself from the room after a few, confusing minutes of conversation.

“I must be tired,” Bucciarati had said.

Narancia and Giorno can only look at the door he leaves through in a helpless sort of uncertainty.

Giorno wants to berate himself the next time it happens, because the next time it happens is in the middle of a fight with two enemy stands, and Bucciarati is standing there, eyes drawn to the sky, and vulnerable. Sticky Fingers is no better. Giorno suspects that, if they had eyes, they would be looking in the same direction.

He doesn’t have time to panic or let the sensation of wrongness flood through him. The enemy stand sees the opening for what it is and rushes right for Sticky Fingers with an aim of demolishing stand and user alike.

Bucciarati turns his head with unfocused eyes, blinks at the thing rushing nearly right at him-- only inches off really, Sticky Fingers is too close. The enemy stand hesitates a moment, suddenly anticipating an attack, but Bucciarati only makes an odd sound in the back of his throat. His eyes draw unnaturally toward his right, where absolutely nothing of concern is waiting for him.

Giorno can only be grateful for the enemy’s hesitation. He takes advantage of it with a ruthlessness that is driven by fear more than anything.

Bucciarati doesn’t even turn his head when the enemy screams out with his last breath.

Everyone else chooses that moment to catch up to them, and the fussing is natural for the situation: the one where the two of them had been ambushed, and not the one where Bucciarati had stopped responding to his surroundings entirely.

Giorno tries to explain it to Abbacchio, but the man waves a hand, reminds him that Bucciarati has a lot on his plate at any given time. Lapses and distractions were bound to happen. Besides, they couldn’t ever be sure where Bucciarati’s attention was. With Sticky Fingers, he could reach beyond what they were used to.

Giorno finds no comfort in the reassurances, but he nods anyways.

Then sh*t hits the fan.

Or, more accurately, Bucciarati hits the floor.

Not one of their little group knows how to respond, all looking on in horror when Bucciarati begins to shake.

It’s Abbacchio that regains his composure first. He’s also the only one that has a clue on what to do, it seems, considering he’s rolling Bucciarati on his side before anyone else has managed to put their jaw back into its proper place.

“They’re seizures,” Abbacchio says once Giorno regains enough of his composure to crouch in front of them. Abbacchio keeps one hand on Bucciarati’s bicep, keeping him on his side without holding him down. He motions for Giorno to take over so he can shrug out of his coat.

“I know,” Giorno doesn’t think that could be any more obvious right now. He frets, for a moment, over how much pressure to put on Bucciarati, but Abbacchio doesn’t correct him.

“No, they’re seizures, Giorno. All of them. I should have realized,” Abbacchio balls his coat up and tucks it under Bucciarati’s head.

Oh.

And, just like that, it all clicks into place. Giorno feels sick, but Abbacchio takes over holding Bucciarati on his side.

There’s a gargling sound that makes Mista reach forward, but Abbacchio stops him.

“He’s choking!”

Giorno glances back at Mista and realizes, not for the first time, that he isn’t the only one terrified by all of this.

“That’s why I have him like this, just- wait. f*ck, how long has it been?” Abbacchio has to push down his own irritation at himself for not thinking about that before, but he’s barely managing to keep his own composure.

“Thirty seconds, I think,” Trish speaks up.

“Okay, that’s good. That’s fine,” Abbacchio answers with what is meant to be a reassuring nod, but no one looks all that reassured.

There’s something horribly unsettling about the most put together of them being on the floor, with blood and spit mixing together on the ground. Giorno doesn’t actually know how much of the blood is from Bruno’s mouth versus his head, but it all looks like too much. He wants to fix it. He can fix it, but he doesn’t know if that’s a good idea while Bucciarati’s actively seizing. Hell, he doesn’t know if it’s a good idea afterwards either. It’ll hurt, and what if that just makes it worse?

An eternity seems to pass, with Giorno going back and forth with himself, and everyone else being equally tense until Bucciarati slows into what almost looks more like an occasional kick of his feet. Even that stops after another ten seconds.

All together the whole thing takes two minutes and thirteen seconds according to Trish. Abbacchio reassures them that it’s fine. That’s not too long in the grand scheme of things. When he was still a cop, he was trained to call for medical services after five minutes.

Still, Bucciarati is quiet and motionless outside of what Giorno thinks might be his attempts to swallow what’s in his mouth. Abbacchio uses part of his coat to wipe the spittle away while he speaks softly to the man.

“Oh, he…” Trish trails off, quickly removing the outer layer of her skirt. She drapes it over Bruno’s middle.

Abbacchio glances over at the same time as Giorno does, “It’s okay. That’s normal.”

Giorno takes a second to register the same thing that Abbacchio had and instantly knows that Bucciarati would be grateful for Trish’s consideration. Fugo and Narancia process a moment later and both frown. It’s not that they’re judging Bruno for something he can’t help. It’s that he couldn’t help himself in the first place. It’s another thing that makes it all so much more real. If Mista processes it at all, he doesn’t say anything.

Fugo moves to reach out, to touch Bucciarati, but Abbacchio catches his hand. Gentle. “Give him another minute. If we work him up too much…” He doesn’t want to continue that thought. Doesn’t want to accidentally infer that they might be responsible for the next seizure or this one. Or any of those previous. But the reality is that Bucciarati’s brain is dealing with enough. Overstimulating him is too much of a risk.

“Should we…?” Mista asks, already backing up a bit.

“No, we just don’t want to crowd him,” Abbacchio rubs along Bucciarati’s arm in the meantime. He continues his quiet reassurances until Narancia startles.

“His eyes!”

Abbacchio glances up at Bucciarati’s face, half expecting to see another seizure beginning to take hold, but he’s relieved to find Bucciarati looking around sluggishly instead. “Welcome back,” he says gently, “You’re okay now- woah, you need to stay put. Good, yeah, like that. You’re alright. We have you. No one is attacking us.”

“W-where?”

“Giorno’s office,” Abbacchio answers easily. He wipes at Bucciarati’s mouth again. There’s definitely blood coming from either his cheek or his tongue. “You owe me a new coat.”

Bucciarati hums and closes his eyes.

“You really had no clue, did you?” Abbacchio keeps rubbing along Bucciarati’s arm. Something comforting but not all together overwhelming. “That’s fine. We can take care of this.” He catches Bucciarati’s hand when it darts out. He checks Bucciarati’s eyes again and sees there’s a muted alarm to them. “You’re alright. You’re just coming back to us from a seizure, but you’re doing good-- great.” He looks to the rest of their little crew when Bucciarati’s eyes slide shut again, “He’s probably going to cycle through this a couple of times, and he’s going to be very tired. He needs to rest. Those other seizures-- they tire you out, but this…” He lets them infer the level of exhaustion they should be anticipating. Abbacchio certainly wouldn’t expect anything from Bucciarati after what was possibly his first grand mal.

It takes time, but they get Bucciarati into bed. Abbacchio is gentle with removing Bucciarati’s clips and taking apart his braid. He doesn’t think the added tension will help. He waits until the kids scatter to start undressing him.

Sticky Fingers appears midway through, and they look like they’ve been through the ringer.

“He’s going to be okay,” Abbacchio tells them. He calls to Moody Blues, thinks maybe her presence will be reassuring. He isn’t surprised when stand leans upon stand. He hopes the comforting gesture translates to Bucciarati without adding unnecessary strain.

He has Bucciarati tucked in by the time the kids get back. He leaves Bucciarati in a new pair of briefs rather than attempting to fully redress him. His knowledge on seizures isn’t the best, but he knows to expect soreness. Getting Bucciarati dressed again simply doesn’t seemed to be worth it in Abbacchio’s mind. The kids aren’t going to go looking under the blankets anyways.

He doesn’t notice Sticky Fingers getting a hold of Bucciarati’s head until there’s already a zipper in place. It doesn’t seem to bother him, so Abbacchio shrugs and let’s the stand take care of their user. Everyone had heard the sound of Bucciarati’s head hitting the floor; no doubt there’s a nasty cut under there. Stick Fingers’ zipper will keep the bleeding to a minimum until they all feel a little more comfortable poking at Bucciarati again.

“Is there anything else we can do?” Giorno asks, when they all stand there practically wringing their hands from anxiety. Each undoubtedly preferring that it was themselves in Bucciarati’s position.

“Not right now,” Abbacchio says, in that same gentle tone from earlier. His own nerves are shot, but he knows they’re scared. They want to help. He gets that, and being snappish and potentially starting an argument isn’t going to do anything for Bucciarati’s overworked system.

Giorno hesitates, but he nods. He wants to heal the problem away, but there’s more to this than he understands. He thinks it might be a mistake to try and intervene now, so he gently tugs Mista toward the door. Mista tugs on Narancia, and Narancia tries to pull Fugo along.

“Narancia,” Giorno calls when the other opens his mouth. “Let’s go.” He puts as much authority into his tone as he can manage. Truthfully, he feels too helpless to feel like their leader.

Narancia grumbles something under his breath but allows himself to be tugged along. Giorno closes the door behind them.

#bruabba#bruno bucciarati#leone abbacchio#bruno buccellati#giorno giovanna#jjba#jojo's bizzare adventure#jjba part 5#everyone lives au#bucci gang#blitzwrites#blitz#fic: islt

weasley-gal

Dec 31, 2019

Cindy’s Top Ten Movies of 2019!

Ahhh...2019. In the interest of building suspense, I could be all cagey about this countdown, but let's face it: For me, 2019 was the Year of Rocketman. As lousy as the real-world year was, it was salvaged by Rocketman. Someone suggested in jest (maybe?) that Rocketman should be numbers one through ten on my year-end list, and that would be fair enough; HOWEVER...I did like some other movies this year, so I'm gonna give you--yes YOU, dear reader(s)--ten of my favorites. Just know in your hearts that the other nine fall way behind number one. Way, WAY behind.

The usual disclaimers:

A movie's position on my year-end list does not necessarily reflect its original Weasley score. Some films age well, bear up, and even improve under repeat viewings. Some...well...some do not. Also, I live in a rinky-dink town, so great movies like JoJo Rabbit and 1917--pictures that almost certainly would have found spots here or gotten very close--have not made themselves available to me yet. This is disappointing, but unsurprising. I'd hung my entire holiday break on the prospect of seeing 1917, only to discover on Christmas Day that its Christmas opening was limited release, and I have to wait until January 10th. Humbug. Finally, I think three or four of these movies already made Variety's "worst of" list for 2019, so kindly do not be too shocked when I diverge from The Serious Critics (TM).

Without further ado, presenting my top ten films of 2019:

TEN

"The most important qualification for any leader is not wanting to be leader."

THE TWO POPES

2019 threw me a nice surprise on its way out the celestial door, with the Netflix original The Two Popes. It's a deliberate, thoughtful, and timely film carried by a pair of the year's most exquisite performances: Jonathan Pryce as Pope Francis and Anthony Hopkins as Pope Benedict XVI. While the subject matter is weighty, this movie is an absolute delight.

NINE

"I'm glad I'm a revelation and not a disappointment."

DOWNTON ABBEY

This big-screen adaptation of the popular television series Downton Abbey, is, in fact, something of a revelation. A totally new story in the familiar and much-loved setting, with just the right amount of fan service, it is a joyful exercise that hits nearly every note perfectly. Making its case for the big screen are breathtaking costumes and production design...and Mr. Barrow finally seeing a bit of happiness doesn't hurt, either.

EIGHT

"We're gonna bury Ferrari at Le Mans."

FORD V FERRARI

At a glance, Ford v Ferrari might seem like a film appealing exclusively to car enthusiasts; however, that assumption does a great disservice to both the film and the viewer. Ford v Ferrari is an inspiring story about people. It's a nail-biter from start to finish, it has heart to spare, and it's fronted by great turns from Matt Damon and Christian Bale. Beautifully filmed race action makes this one to see on the biggest screen you can find.

SEVEN

"It always fits...eventually."

SPIDER-MAN: INTO THE SPIDER-VERSE

Technically, Spider-Man: Into the Spider-Verse is a last-year movie, but for me it's a this-year movie, and--despite its being the very first film I saw way back in January, 2019--it's far too great to leave off my best-of list. A Marvel property in the hands of Sony, Spider-Verse is smart, funny, touching, and better than the entire Avengers catalog combined.

SIX

"This is a twisted web, and we are not finished untangling it, not yet."

KNIVES OUT

Knives Out is a great piece of original cinema crafted from artful twists, clever humor, and terrific performances, layered with a gorgeous Gothic setting and an ominous score. Written and directed by Rian Johnson, this perfect murder mystery is a huge creative and financial win for the cinema, and I recommend it without hesitation or qualification.

FIVE

"This is the worst...and best...and most terrible...excellent thing that's ever happened to me!"

THE KID WHO WOULD BE KING

Hands up if you missed the Kid Who Would Be King at your local cinema? Yeah, I see you, ALL of you. The good news is that one of the year's most wonderful pictures is now available for streaming and download, and you shouldn't make the same mistake twice. The Kid Who Would Be King is a charming movie, great fun for people of all ages. Truly one of the year's best.

FOUR

"Si vis pacem, para bellum."

JOHN WICK: CHAPTER 3 — PARABELLUM

The John Wick franchise has become quite the phenomenon, and deservedly so. Continually upping the action ante in Fast-and-Furious-like fashion, these movies are so much more than just your garden-variety shoot 'em ups and beat 'em ups. John Wick is the role Keanu Reeves was born to play, and Parabellum raises the stakes for Wick while doubling down on masterful fight choreography and stunning cinematography. Here's to many more adventures for John Wick!

THREE

"Bruce is the direct line to all that's true in this world!"

BLINDED BY THE LIGHT

Blinded by the Light is another terrific picture that didn't exactly set the box office on fire. Inspired by the true story of one Springsteen superfan, and built on the Boss's epic catalog, it's a hopeful tale about overcoming prejudice and the limitations set for us by ourselves and by others, one of the year's most inspiring movies.

TWO

"Tell the truth to everyone, whenever you can."

YESTERDAY

Yesterday is yet another of 2019's under-appreciated gems, a beautiful, unique movie fashioned around the timeless music of the Beatles. Himesh Patel is a delight in the lead, and--while the premise requires suspension of disbelief--Yesterday is a charming picture that captivates with its "what ifs?" as well as its iconic soundtrack and enchanting cast.

ONE

"You were never ordinary."

ROCKETMAN

My number one movie of the year, and of the decade, was set on May 31st, when I saw Rocketman for the first time. I saw the movie at least twice a week as long as it was at my local cinema. I've watched at least part of it every day since it became available for home viewing. Outside of a week or so around each of the wonderful concerts I saw this summer, I've listened to nothing but the Rocketman soundtrack since the end of May. My phone and all my desktops have Rocketman wallpapers. I've joked (hmm?) that I only speak Rocketman now. The truth is, I'm not interested in speaking anything else. Pre-Rocketman, it had been a decade since a new movie made its way into my all-time top ten. Then there was Rocketman. Pre-Rocketman, my favorite acting performance hadn't changed since 1993. Then there was Taron Egerton's astonishing turn as Elton John. Pre-Rocketman, I was finding reasons to stay away from the movies. Then there was Dexter Fletcher showing us the beauty of real imagination. Rocketman is more than just a well-crafted film that reflects on an iconic artist's inspiring life. It is a film that uses Elton John's art to tell his story in fantastic, creative fashion. It is a film that uses exquisite detail in its styling and costumes to further its vision. It is a film that draws something sparkling and new out of a classic discography. It is a film that is not bound by dull, linear timelines or small minds. It is a film that surrounds a performance for the ages with others that bear it up. It is a film that shows, however dark the times, you will find the light. In doing all these things, it is a film that is saving lives. Rocketman is a film that is, in every way, magnificent. Thank you, Dexter Fletcher and company, for giving us this beautiful movie. Whatever the critics say and whoever wins the prizes as Awards Season bears down upon us, nobody has done anything more valuable this cinema year.

A few Honorable (and Dis-Honorable) Mentions:

While Taron Egerton deserves all the awards, all the time, for his work in Rocketman, there were some other performances this year that also gave me life:

Jamie Bell (Rocketman): Without Bell's Bernie Taupin as his stalwart cornerstone, Egerton's Elton could not have flown. It's a lovely, understated performance that has been grossly underappreciated.

Tom Holland (Marvel Cinematic Universe): Holland is a real gem, a standout who consistently steals the show from bigger names who get weightier work in the MCU. No matter how good, bad, or painfully bloated the movie, Holland is an absolute delight.

Renee Zellweger (Judy): Who knew it was even possible for me to stop hating Renee Zellweger? Well played, 2019.

Rebecca Ferguson (The Kid Who Would Be King/Doctor Sleep): There was little I enjoyed more this year than watching Ferguson chew her way through this pair of pictures. Oh, and if I start walking around wearing a hat, don't ask, m-kay?

Chris Evans (Knives Out): God, I love seeing Chris Evans do *anything* besides Captain America. Bonus points if he gets to be funny. He's really funny, despite his obscenely gorgeous mug.

John Boyega/Oscar Isaac (Star Wars: Episode IX — The Rise of Skywalker): These two, individually and together, draw joy out of what's otherwise a fairly mundane exercise. If Finn and Poe somehow jumped to another saga in the Star Wars universe, I wouldn't complain.

The Cast of Jumanji: The Next Level: Top to bottom, a perfectly cast film, and a lesson in how the right actors can elevate any property.

As a matter of interest, if you watch the Irishman and Once Upon a Time in Hollywood back to back, you can effectively calculate how many hours you'll wish you had back when you're on your deathbed.

I would like a word with Gary Oldman's and Sebastian Stan's agents, please.

Cats: Make. It. Stop. Please, just...make it stop.

As this most challenging year winds to a close, I wanted to offer a sincere thank you to everyone who takes the time to read my reviews, and especially those who engage on any of our various platforms. Special thanks to Daniel for allowing me to be a part of his great page, and for tolerating my unceasing randomness. (Hotel Transylvania 4 in 2021, my friend!) I take no one's support for granted, and I’m ever grateful for you all. I wish our readers many blessings as this festive season comes to a close and we roll into 2020. See you at the movies!

#movies#top ten#rocketman#yesterday#blinded by the light#john wick#the kid who would be king#knives out#spider-man#into the spider-verse#ford v ferrari#downton abbey#the two popes

letterboxd

Feb 10, 2020

Most Picture 2020.

In which we award the Most Picture Oscar to the most-rewatched of the 2020 Best Picture nominees, and track down the Letterboxd member who most obsessively rewatched the Most Obsessively Rewatched Film in our 2019 Year in Review—Avengers: Endgame—to ask “Why?”.

Once again, we dive into the data on the Oscar Best Picture nominees to name not the Best Picture (respect to Parasite!), but what is the Most Picture, as in, which of the nine 2020 finalists was rewatched the most by Letterboxd members?

And the 2020 “Most” Picture Award goes to… Once Upon a Time in Hollywood.

Letterboxd member Movie15 has the distinction of having logged Once Upon a Time... in Hollywood the most—a whopping 26 times since its August release, and though he hasn’t reviewed it on Letterboxd, we’ve enjoyed his quest to see Tarantino’s latest in as many Los Angeles movie theaters as possible, on 35mm as often as he can.

Bong Joon-ho’s multi-Academy-Award-winning masterpiece, Parasite, comes next, just 859 views behind—Khoi is the Letterboxd member who has most obsessively rewatched the film to date, with eleven recorded watches. Third place (and almost 14,000 views behind the two leaders) goes to Joker, watched the most (seventeen times) by Kenai Fleck, a hard-core Batman fan.

In fourth place, Little Women. Micah Simmons has logged the film fourteen times (but may in fact be pushing 20 views). On the thirteenth view, “I have nothing to add, except for mentioning a shot right before the scene where Amy does *the thing* to Jo, and there’s a crazy shot that foreshadows *the thing* so well and f*ck this movie is smart.” Then come Marriage Story, The Irishman, 1917, Jojo Rabbit and Ford v. Ferrari in that order.

The official Letterboxd Most Picture list reveals the combined number of watches for all members with two or more entries for these films.

The Rewatches We Logged Along the Way

Avengers: Endgame was the Most Obsessively Rewatched Film of 2019 in our Year in Review, which means it had the highest number of Letterboxd members logging it five or more times in their diaries.

Member Max Joseph has the distinction of having logged Avengers: Endgame more times than any other. When we told him we needed to know why, he replied: “I’d be honored to talk about my love for Avengers Endgame!” Spoilers follow in this Q&A with Max (though at this point if you haven’t seen Avengers: Endgame it’s probably only because Max has watched it for you). This interview was conducted prior to the 2020 Academy Awards.

How many times do you think you have seen Avengers: Endgame?Max Joseph: Well, I’ve logged it 26 times as of today. But I also think there are a good three or four watches I didn’t log because I occasionally put it on before bed, and just never logged it. So I’d say my final answer is 29, but that honestly may be lowballing it. I have a feeling that by the time the Oscars roll around, it’ll probably be at 30. I always watch every single film, documentary and short nominated for the Oscars, and thankfully, Endgame was nominated!

What’s your reaction to the news that you are the member who has logged it the most?Kind of shocked! I really didn’t even realize how many times I watched it until you told me! I watch Avengers: Endgame because it brings me happiness, and I love the adventure! When it finally came out on Blu-ray and digital, there were a few times I would watch it multiple times in one day. Then I’d throw something else on, then get upset that I wasn’t watching Avengers. So maybe it isn’t as shocking as I had thought!

What keeps you coming back to it?I love all genres of film. Take this season for example. I love the more meaty and dramatic films like Parasite, 1917, Waves, Queen & Slim. I love comedies like Jojo Rabbit and Booksmart. Animation like Toy Story 4, Frozen II and Klaus.

But, you give me someone flying, turning invisible, super speed… that’s where I live. Superhero movies are just my favorites, and I think the reason I keep coming back to Avengers: Endgame is because besides being a superhero movie—which I just naturally gravitate towards—in Endgame, I get a little bit of every genre and mood. I also like that it’s split up into three acts, and each act gives me what I want in a superhero movie:

Act one is the slow burn, which we never really got in the MCU up to this point. It’s the aftermath of Avengers: Infinity War, and them dealing with the implications and the new normal of the universe. And this gives a chance for the story to build, and our actors to show off, especially Robert Downey Jr., Chris Evans and Scarlett Johansson. It gives something new to the fans of the franchise and is one of the biggest reasons I keep coming back for more.

Act two is the “time heist” and it is a pure love letter to the fans of the franchise. They revisit some of the best parts of our MCU journey over the last eleven years and mess with it. Is it fan service? Absolutely! But I think they did it right.

Act three is the final battle at the now-destroyed Avengers headquarters. And this was where the slow burn pays off. It is what we’ve all been waiting for since 2008. The grand finale. The culmination of eleven years and 22 films. We are gifted my favorite battle I’ve ever seen, bone-chilling and heartbreaking moments, as well as the most cathartic endings to the most epic story I’ve ever had the privilege to watch, nearly 30 times over.

What have you noticed with each rewatch?Two things: firstly, how unbelievable the visual effects are. I may be alone in this, but I think Marvel has the best visual effects on the planet. By miles. And rewatching this makes me appreciate how much time and dedication was put into making this. So much happened behind the scenes, that I personally don’t really think about while watching it. But after 26 views, I start to think about green screens, the motion capturing, all of those elements, it’s insane! Go on YouTube and just check out all of that work they did visually. It’s beautiful.

Secondly, how brilliant Robert Downey Jr. is. I’ve been saying it for years, but RDJ was born to play Tony Stark. Has he had many other brilliant performances throughout his career? Absolutely. But I think that if he was not cast as Iron Man, this franchise wouldn’t have turned out the way it did. He is the heart of the MCU. And he has so many brilliant moments throughout the film, meets his dad during the “time heist”, the realization of “the one”, even the way he interacts with his daughter, Morgan. It’s truly exceptional work. I think it’s his best performance as Stark.

What is the single greatest scene in the film?Oy, well that’s near impossible. A few standouts are Cap wielding Mjölnir, the scene with Tony and his dad, the reveal of Professor Hulk, thicc Thor, Cap vs. Cap, “the snap”. There are so many! But I think the popular answer is also the greatest, and that is when our Avengers return.

As soon as I heard Sam Wilson’s (Falcon) voice, I lost my mind. And they brilliantly added “On your left” right before all the portals open up. “On your left” is a callback to Captain America: The Winter Soldier. That’s the first line of the movie, and is repeated again at the end. Both times are between Sam and Steve, and it was the same in Endgame. And then you add Alan Silvestri’s score (the song is titled ‘Portals’) which is building and building with emotion, which leads into Cap finally saying…

“Avengers (music cuts) Assemble”… (enter Avengers theme song)

It. Is. Perfection. I have chills as I type this. It was probably the greatest theater experience I’ve had in my life. I was sobbing. Imagine how I was by the end…

What has the overall Avengers cinematic adventure meant to you?I remember seeing the first Iron Man in theaters with some friends in 2008. We all dressed up in suits, because we were at a high school awards show kind of thing, and just went straight to the theater, and we had the best time. From the first moment ’til the end, when Tony says, “I am Iron Man”, then Black Sabbath’s ‘Iron Man’ starts playing, my jaw was on the floor. I gave a standing ovation. In a suit. From that moment on, I knew that this was made for me.

It has given me the greatest moments in a movie theater, incredible discussions with friends and strangers, and although it may seem cheesy, some much-needed happiness in some of the most difficult times in my life. I watch these stories because I love them. They mean something to me. They are an important part of who I am.

What would you say to people who say that blockbusters like these aren't ‘real’ cinema?Hahaha! This is a hilarious question, and I’m thrilled that you asked it. I’ve actually had a good 20 people ask me this, and I always said that I’d write something or make a video about it, so here we go…

Let me start off by saying that Martin Scorsese is arguably one of the greatest directors of all time. I love his work, I respect it, and I encourage everyone to watch his full repertoire, ’cause it’s beautiful.

That being said… ‘real cinema’ is a matter of opinions. To me, Avengers: Endgame is just as much real cinema, as The Irishman, Goodfellas, The Shawshank Redemption, The Godfather, anything. I don’t care who you are, you can be Martin Scorsese, Kevin Feige, one of my friends, a stranger, I don’t think you have the right to tell me what is ‘real cinema’. You can say something isn’t good, or only being made to earn a profit, but you don’t get to say that movies like this aren’t worthy of being ‘real cinema’. To me, they are. You’re more than entitled to that opinion! I just happen to disagree with you, but you’re not wrong by any means. I’m entitled to my opinion, you’re entitled to yours. And that’s what it comes down to. Opinions.

Thicc Thor—keep or send back to the gym?I totally don’t care. Taika Waititi figured out how to write that character in Thor: Ragnarok, and thankfully they continued writing him this way in Endgame. So as long as the writers continue on the path that Waititi sent him on, I’m good. Make him thicc, give him an eight-pack, as long as the character has purpose and the lines flow naturally, I’m more than satisfied with whatever he looks like.

How amped are you to learn more about Natasha’s background in this year’s Black Widow?Finally! We’ve been waiting since Iron Man 2, and it is finally time for the Black Widow movie she deserves! I’m fascinated by the Red Room, which was where she started her training as a Russian spy. They showed us glimpses of her beginnings in 2015’s Avengers: Age of Ultron, and I’ve always been hungry for more information because it looked really interesting.

I also think that we may finally find out what happened in Budapest. It was first mentioned in The Avengers back in 2012, as a bit of banter between Black Widow and Hawkeye (Jeremy Renner), and has kind of been a mystery ever since. It was actually mentioned again in Endgame. I’m basing this on the San Diego Comic-Con Hall H panel. There was a title card that said “Budapest”, so it would make sense that we’re gonna get what we’ve been asking for!

I’m also thrilled because the cast is awesome. Obviously double Oscar-nominated actor this season, Scarlett Johansson, Rachel Weisz, David Harbour and one of my favorite actors, Florence Pugh, who had an unbelievable 2019, with Fighting With My Family, Midsommar (one of my favorite performances of the decade), and she topped it off with an Oscar-nominated performance in Little Women!

What do you think should win best picture at this year’s Oscars?Parasite. And it’s not even close. I think Parasite is one of the greatest films I’ve seen in my life. I think it deserves that number one slot on your Top 250 Narrative Features list.

It features the best performance from an ensemble, Song Kang-ho should have been nominated for supporting actor (he should be winning). The production design is fabulous. They literally built the Park family’s house for the film! Hong Kyung-pyo’s photography is worthy of being framed. He created a few shots that are permanently engraved in my head (in a good way). And of course, Bong Joon-ho’s direction flows with emotion and his script is original, gripping and electric. He is the definition of a visionary, at the top of his game.

Parasite is the crowning achievement of the decade and should be awarded as such. It would be the perfect way to end the decade with the first foreign-language film (now titled “International Feature Film”) winning Best Picture at the Oscars. #BONGHIVE all the way!

What do you think will win?My heart says Parasite, but I think it may end up going to something like Once Upon a Time… In Hollywood, The Irishman or 1917 (which is in my top ten this year). The easy answer is probably Hollywood because it won the Globe, but that doesn’t always translate into an Oscar.

But if it’s not Parasite, I think it should be 1917. It is a technical work of art from Oscar, Golden Globe and Tony Award-winning director Sam Mendes. Roger Deakins outdid himself and is pretty much guaranteed to earn his second Oscar [update: he did!]. Thomas Newman’s score is probably my favorite of the year (possibly of his career), followed closely by Emile Mosseri’s for The Last Black Man in San Francisco and Hildur Guðnadóttir’s for Joker. And George MacKay and Dean-Charles Chapman should be on everyone’s radar. They’re phenomenal. It’s shaping up to be quite a race this year!

What’s your favorite thing about Letterboxd?I think the reason I love it so much is because it feels like a family. I’ve had such a passion for the cinema for my whole life, and I like to share it wherever I can. But other social platforms (as wonderful as they are), aren’t always the best place to post about every single movie I’ve watched, or a top ten that I make. Letterboxd is the only place where I can let out all of my opinions, all of my thoughts, without feeling embarrassed or like I’m bothering anyone when I say how perfect Avengers: Endgame is. Or if I watch it and spot something new, I can post about it, and have great conversations about what I’ve discovered. It is the place for movie lovers, and it actually helped me love movies more, and to learn more about the crews, studios, and everything behind the film.

#AVENGERS#AVENGERS ENDGAME#letterboxd#most rewatched#most rewatched film#best picture#oscar#oscars#oscar2020#oscars2020

camisatan

Mar 11, 2019

21 Questions

Rules: Answer 21 questions and then tag 21 people you want to get to know better.

tagged by @twindoodle!no promises that this one won’t end up delete as well tho....

1.) Height: 5′7″ and a half uwu

2.) Zodiac: i am apisces! had to look up how to spell my own sign...

3.) Last movie I saw: The seven deadly sins movie on netflix. watched it with my boyfriend on valentines day u///u

4.) Favorite musician: i have no idea but i have had the tribute song by jack black stuck in my head for like ever now. oh and some bloodhound gang songs....so them as well

5.) Favorite author: i haven’t read real books since like 5th grade so....*picks randoms book off shelf* hirohikoaraki

6.) Favorite Fanfiction: i haven’t read fanfics since 8th grade and that’s just a cringy time for me i rather forget ;-;

7.) Favorite movie: no one will probably know this but The Pirate Movie was my f*cking sh*t and still holds a special place in my child heart.... and footloose... spiderman made me criwhen he dissed it tbh.

8.) Favorite anime: i have a lot i just love at the moment. like jojo, part 5 so far is just awesome and love watching it with my boyfriend. it’s part of how i fell in love with him too uwu. still can’t get over iron blooded orphans. people really need to see that one through before they knock it, like it has a lot of sensitive topics going on in it but its honestly really good and it’s hard not to fall in love with all the characters. also reborn! is really good. like not going to lie the first season is hard to get through but as soon as you get into like the future arc holy sh*t. just good sh*t.

9.) Play any instruments?: tried piano, failed. have no rhythm....

10.) Random fact: um... idki lived in germanyfor a year. that was pretty neat.

11.) Lucky number: 7 and 13

12.) Do you get asks?: have like twice

13:) Favorite fandom(s): iboeven though it’s pretty much dead ;-; wish there was more fan content and zines n stuff for it. but also fire emblem. they do some weird sh*t sometimes but boy do i still love em for the most part.

14.) Favorite song: The Daruma Doll Has Fallen in Love - such a cute song

As You Like It by Eve - UGH THE ANIMATION

Also like pretty much all the royal scandalsongs i’ve heard so far

15.) What are you wearing?: christmas cat pjpants, white t-shirt, red micky mouse robe. been wearing it all day uwu”

16.) Hair color: Brown

17.) Eye color: Baby blue

18.) Favorite food: cheesy noodles..... mmmmmmmmmmmyum

19.) Hobbies: Drawing (when motivated which is rare now) and vidyagemu

20.) Favorite weather: Like warm spring days that aren’t gross out and theresa slight breeze and somehow just magically there aren’t any bugs out are my kind of days

21.) Favorite superhero(s): Spiderman!!

then supposed to tag people but sure as hell don’t know 21 people so....@scoolaples@gayaran @sea-spagetti @lainey--bird

edit: going through my playlist on youtube and finding loads of other songs i love n sh*t like damn

#this is embarassing

bizarre-dollhouse

Mar 31, 2018

My Top 10 Favourite Anime (And Why You Should Watch Them)

This is normally something I would put on my main blog, but I wanted to celebrate a follower milestone and also I know this will reach a significantly wider audience on this blog.

Consider this both a list of recommendations and a *get to know me* thing, I guess.

Honourable Mentions:

Bakemonogatari: A really stylized show about a semi vampire helping people with their supernatural afflictions born from emotional issues. The subsequent seasons get a little questionable, but this is definitely a standalone story with great dialogue and visuals. (15 eps)

Shiki: Creepy story about a small town infested with vampires. Really brutal and sick, but it has fascinating themes. The pacing is a bit slow and it has a kind of bad scene towards the end, but the show is 100% worth it. (24 eps)

Cardcaptor Sakura: Because this is mostly aimed at younger viewers, I would only really recommend this show for either magical girl fans, or people who watched the extremely altered dub as a kid. That being said, its a cute, fun show about magic with a likeable cast and surprisingly creative and original ideas, especially towards the latter half. (70 eps)

Jojos Bizarre Adventure 4: Diamond is Unbreakable: Full disclosure, I have not seen the first 3 jojo series, but its not necessary to enjoy this show. This is a super creative and really fun series about superpowered badasses in a strange city fighting each other and trying to solve a murder mystery in the background. Weird, but in the best way. (39 eps)

Kurosh*tsuji: Book of Circus: This should be higher on the list, but in truth I would recommend the manga way over the show. But, if you want to watch a supernatural horror/comedy without reading a 138+ chapter manga, OR you were a fan of the original Black Butler seasons and want to see something way better, give this a watch. (10 eps)

*drumroll*

10. Trigun

So Trigun takes place is this old west, yet mysterious science fiction-y world where, through a bunch of complicated scenarios, a pacifist is the most wanted criminal known to man. Due to his status as a“natural disaster,” two insurance workers are tasked with reining him in to save their business. It’s an incredibly charming series, and the protagonist is really likeable. It’s extremely creative, funny, and emotional near the end. I do have some problems with the ending because it almost seems like the final conflict just...solves itself, but that’s a nitpick. The first episode is basically a short film, so give that a watch and see how you feel. (26 eps)

9. Paranoia Agent

This was directed by the late and great Satoshi Kon and has his usual themes about the blurring between fiction, dreams, and reality. It’s about a string of mysterious assaults committed by a kid with a baseball bat, and how these assaults seem to solve the problems of the victims. It’s very arthouse and has a twist that makes me ball my eyes out even though it’s not sad it’s just...odd and overwhelming. It drags a bit near the middle, but if you like kind of surreal stuff that’s also just really good, you have to watch this show. (13 eps)

8. Baby Steps

The amazing thing about this show is that its premise is specifically designed to make me hate it. It’s about a nerdy teenager who starts to play a sport for the sole sake of getting fit and having a more well rounded life style, and also he has a crush on this really popular girl. That sounds f*cking awful, but the main character is actually really likeable (he reminds me a lot of Deku from BNHA) and I swear to f*cking god every time I thought this show was going to do something awful and cliched with its romantic comedy plot, it doesn’t. The beauty and the geek trope is still there, but all of the bullsh*t that comes with it is omitted in a way I feel was kind of self-aware. The sports aspect is really good too: it’s well paced and there’s lots of tension even though the show as a whole is really upbeat and pleasant. I had a blast watching it, and if you can make it past the fact that is has god awful animation, give it a watch.

7. Higurashi: When They Cry

Yet another great show with absolute garbage animation. Anyways, this show is about a group of teenagers in a small town who are unknowingly trapped in a time loop. In each loop there’s a bunch of new mysteries, as well as some extremely brutal murders and tortures experienced my the main cast. I’ve seen a number of Western shows (Orphan Black, BBC Sherlock, Lost, Supernatural, etc.) fall apart because the writers want a really clever and intricate mystery to play out, but they don’t want to actually put the time into crafting one, so it’s just a bunch of cliffhangers with no answers or pay off. THIS SHOW SUCCEEDS AT WHAT ALL OF THOSE OTHER SHOWS FAIL AT. While not all of the answers are great (the second season isn’t as good) the original author somehow made the world’s most ludicrously complicated mystery story work, with a lot of it relying on the audience to put all of the pieces together even when the characters can’t. Its very clever in doing that: it makes its audience feel smart. It also has themes that don’t really show up in other horror stories, even though they’re incredibly relevant to fear and violence. Great show, go watch it. (50 eps)

6. Fullmetal Alchemist Brotherhood

Everyone knows about this show, everyone says it’s great, and everyone’s right. If you’ve been living under a rock for ten years: the show is about two brothers who break an alchemy taboo, which destroys their bodies, They’re on the hunt for something to restore them to normal and along the way they meet like 8990354578579 characters with interesting stories. It’s tightly written and really gripping. It’s fun, but also really dramatic and emotional when it needs to be. My only problems with it are that the ending is reaaaallllly convoluted, and there’s a minor plot point earlier on that gets weirdly dropped, but everyone kinda forgets about those things because the show’s so good. Also the brotherly bond makes me cry. (64 eps)

5. FLCL

I honestly don’t even know where to start with this show because it has the unique property of being the only show I have ever seen that I have literally no problems with. Not even nitpicks. There is nothing wrong with this show; it’s perfect. The only reason it’s not number 1 is because some other shows have more ideas or more fleshed out characters. So this arthouse spastic comedy is about a boy who is disappointed with all of the adults in his life, then some chick hits him in the face with a guitar and giant robots from a secret facility start coming out of his head. It’s f*cking wild and has like 30 different aesthetics and I love all of them. It’s the best looking show I’ve ever seen and one of the best directed. It feels like someone read a really weird poem and turned it into a 6 episode show. It’s funny, it’s emotional, it’s cartoony, it’s beautiful, it’s raunchy, it’s poetic, it’s silly, it’s creative, and it’s got strong themes. The wtf visuals, the nonsensical plot, and the amazing soundtrack make an aesthetic experience more than anything. (6 eps)

4. Princess Tutu

I already made a post about this show and why it’s good, which you can check out here, but the gist is it’s a meta fairytale about a duck that turns into a girl to help a storybook prince find his emotions. I used to love stories that were“twists on fairytales” or whatever, but after watching this show I realized that the genre is pretty derivative. This show is so amazing it honestly made me reevaluate an entire genre and come to the conclusion that this is the only member of that genre worth watching. It’s truly creative and well crafted with fantastic characters. (26 eps)

3. Hunter x Hunter (2011)

This show is basically a bunch of creative ideas, unique set pieces, and interesting characters stacked on top of each other in a trench coat disguised as a narrative. It’s about a perky shonen protagonist and a child assassin becoming friends while also trying to become hunters (a position involving vast wealth and adventure). It’s in a modern fantasy setting so literally anything can happen. In one arc they have to play life-or-death dodgeball against robots, and another is an insanely epic tale about the intense evil that people are capable of (feat. a 25 episode climax). I can’t even talk about all of the themes or ideas because there are just too many. Because of it’s wild, sprawling story, it has a lot of ass pulls and retcons, but in the grand scheme of things they don’t really matter. It’s long, but super easy to watch in huge chunks. (148 eps)

2. Neon Genesis Evangelion and The End of Evangelion

The most efficient way to describe this show is to say that it’s the most interesting show ever made. It’s about an apocalyptic future in which emotionally disturbed teenagers must pilot giant bio-machines to fight monsters which are referred to as angels. It’s got deep characters, a creative story, and is probably the most well directed show I’ve ever seen. The ending infamously fell apart due to production problems, so there’s a movie called The End of Evangelion to conclude the story. It’s a very disturbing arthouse movie, so watch out for that, but the show as a whole is moooosssstly more straightforward and fascinating, This is an absolute must watch. (26 eps and 1 movie)

1. Baccano!

Baccano! takes place in 1930s New York, and is about thieves, gangsters, criminals, terrorists, alchemists, and immortals interacting in this nonlinear comedy/action thrill ride. I felt like I was on a rollercoaster while watching this show. It’s the perfect blend of action, comedy, romance, drama, horror, and creative storytelling. It’s fantastic to rewatch since the first episodes barely make any sense without context (but are still an absolute joy to watch). It’s got great characters and it’s a great story. Go watch it. And then watch it again. (13 eps and 3 OVAs)

That’s it for this list! Check out my MAL page for more recommendations if you’re interested and have a great night!

#neon genesis evangelion#hunter x hunter#fmab#higurashi no naku koro ni#trigun#flcl#princess tutu#baby steps#paranoia agent#baccano!#not kuro

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